Offshore capture, live and unrepeatable. Our two-person offshore crew boarded LCS 1 and her accompanying vessel and documented the sea trial as it unfolded off Lumut: the departure from the yard, the ship underway, and the moment she was operating in open water. Working across both vessels, the crew captured the trial from the deck and from the water, in real conditions, with no second attempt possible.
Composition and story. Back in post, our team shaped the footage into a narrative rather than a chronological record. The edit was structured to build, letting the significance of the milestone land with the audience rather than passing by as routine coverage.
On-screen supers. Rather than a spoken voiceover, the film's narrative was carried by original on-screen supers, written by VISIOLAB and structured across three movements. The intro spoke to every system brought to life and every function put to the test. The mid-act carried the ship from shore to open water and reframed the trial as proof of capability, not merely progress. The outro lifted the moment to its national meaning, strengthening maritime defence and advancing toward full readiness, before closing on LUNAS's own signature line, "Defining Excellence." The supers gave the montage its through-line; the footage gave it its truth.
Sound design. Layered audio gave the montage its emotional depth, using rhythm, build, and release so the supers and the footage landed together rather than side by side. This interplay of image, on-screen word, and sound is where the footage became a film.
A fresh editorial treatment. The sedikit kelainan approach carried through the cut, a refreshed visual and rhythmic language that distinguished this year's film and lifted it above standard sea-trial documentation.
Finished for DSA 2026. The completed montage was delivered as LUNAS's showcase piece for DSA 2026, ready for a defence-industry audience on one of the region's biggest stages.
Have a milestone that only happens once?
Some moments cannot be rescheduled, restaged, or reshot. When the event is monumental and the pressure is real, you want a crew that has done it before and a team that can turn what they capture into something people feel.
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